The
Signors of the Night
By Max Pemberton
AUTHOR’S
FOREWORD
I
would take this opportunity of saying that, in two instances at least,
the central idea of these stories is to be found in the history of
Venice in the more dramatic years of the seventeenth and eighteenth
centuries. Few of those who remember Mr. Horatio F. Brown’s delightful
Venetian Studies will fail to
recognise the alchemist Marcantonio Bragadino in my sketch of the
charlatan Zuane de Franza. It is to be doubted if there is, in the whole
story of chicanery, a more remarkable figure than that of Bragadino,
whose ultimate exposure was in a measure due to the powerful sermons
preached against him by Frà Paolo Sarpi. It has been my hope in these
sketches to portray in Frà Giovanni, the Capuchin monk, something of
that confliction of idea which permitted a priest to wield so great an
influence in a Republic which by no means loved priests. Nor do I think
that the measure of authority here permitted to Frà Giovanni would have
been denied to the great friar who won religious liberty for the
Venetians.
For the story “A Miracle of Bells,” the Spanish
Conspiracy is my authority. It is curious that a church figured so often
in the narratives of such plottings as these. The student will remember
that a document hidden in a foldstool of the church of the Frari betrayed
the Giambattista Bragadin to the police.
Elsewhere, for knowledge of the zanni of Venice, I
am indebted to the widely-known memoirs of Count Carlo Gozzi.
CONTENTS
The Risen Dead
A Sermon for Clowns
A Miracle of Bells.
“The Wolf Of Cismon”
The Daughter of Venice
Golden Ashes
White Wings to the Raven
The Haunted Gondola
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