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HORAI
By Lafcadio Hearn
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Blue vision of depth lost in height,--
sea and sky interblending through luminous haze. The day is of spring,
and the hour morning.
Only sky
and sea,-- one azure enormity... In the fore, ripples are catching a
silvery light, and threads of foam are swirling. But a little further
off no motion is visible, nor anything save color: dim warm blue of
water widening away to melt into blue of air. Horizon there is none:
only distance soaring into space,-- infinite concavity hollowing before
you, and hugely arching above you,-- the color deepening with the
height. But far in the midway-blue there hangs a faint, faint vision of
palace towers, with high roofs horned and curved like moons,-- some
shadowing of splendor strange and old, illumined by a sunshine soft as
memory.
...What
I have thus been trying to describe is a kakemono,-- that is to say, a
Japanese painting on silk, suspended to the wall of my alcove;-- and the
name of it is Shinkiro, which signifies "Mirage." But the
shapes of the mirage are unmistakable. Those are the glimmering portals
of Horai the blest; and those are the moony roofs of the Palace of the
Dragon-King;-- and the fashion of them (though limned by a Japanese
brush of to-day) is the fashion of things Chinese, twenty-one hundred
years ago...
Thus much is
told of the place in the Chinese books of that time:--
In Horai
there is neither death nor pain; and there is no winter. The flowers in
that place never fade, and the fruits never fail; and if a man taste of
those fruits even but once, he can never again feel thirst or hunger. In
Horai grow the enchanted plants So-rin-shi, and Riku-go-aoi, and Ban-kon-to,
which heal all manner of sickness;-- and there grows also the magical
grass Yo-shin-shi, that quickens the dead; and the magical grass is
watered by a fairy water of which a single drink confers perpetual
youth. The people of Horai eat their rice out of very, very small bowls;
but the rice never diminishes within those bowls,-- however much of it
be eaten,-- until the eater desires no more. And the people of Horai
drink their wine out of very, very small cups; but no man can empty one
of those cups,-- however stoutly he may drink,-- until there comes upon
him the pleasant drowsiness of intoxication.
All this and
more is told in the legends of the time of the Shin dynasty. But that
the people who wrote down those legends ever saw Horai, even in a
mirage, is not believable. For
really there are no enchanted fruits which leave the eater forever
satisfied,-- nor any magical grass which revives the dead,-- nor any
fountain of fairy water,-- nor any bowls which never lack rice,-- nor
any cups which never lack wine. It is not true that sorrow and death
never enter Horai;-- neither is it true that there is not any winter.
The winter in Horai is cold;-- and winds then bite to the bone; and the
heaping of snow is monstrous on the roofs of the Dragon-King.
Nevertheless
there are wonderful things in Horai; and the most wonderful of all has
not been mentioned by any Chinese writer. I mean the atmosphere of
Horai. It is an atmosphere peculiar to the place; and, because of it,
the sunshine in Horai is whiter than any other sunshine,-- a milky light
that never dazzles,-- astonishingly clear, but very soft. This
atmosphere is not of our human period: it is enormously old,-- so old
that I feel afraid when I try to think how old it is;-- and it is not a
mixture of nitrogen and oxygen. It is not made of air at all, but of
ghost,-- the substance of quintillions of quintillions of generations of
souls blended into one immense translucency,-- souls of people who
thought in ways never resembling our ways. Whatever mortal man inhales
that atmosphere, he takes into his blood the thrilling of these spirits;
and they change the sense within him,-- reshaping his notions of Space
and Time,-- so that he can see only as they used to see, and feel only
as they used to feel, and think only as they used to think. Soft as
sleep are these changes of sense; and Horai, discerned across them,
might thus be described:--
-- Because in
Horai there is no knowledge of great evil, the hearts of the people
never grow old. And, by reason of being always young in heart, the
people of Horai smile from birth until death -- except when the Gods
send sorrow among them; and faces then are veiled until the sorrow goes
away. All folk in Horai love and trust each other, as if all were
members of a single household;-- and the speech of the women is like
birdsong, because the hearts of them are light as the souls of birds;--
and the swaying of the sleeves of the maidens at play seems a flutter of
wide, soft wings. In Horai nothing is hidden but grief, because there is
no reason for shame;-- and nothing is locked away, because there could
not be any theft;-- and by night as well as by day all doors remain
unbarred, because there is no reason for fear. And because the people
are fairies -- though mortal -- all things in Horai, except the Palace
of the Dragon-King, are small and quaint and queer;-- and these
fairy-folk do really eat their rice out of very, very small bowls, and
drink their wine out of very, very small cups...
-- Much of
this seeming would be due to the inhalation of that ghostly atmosphere
-- but not all. For the spell wrought by the dead is only the charm of
an Ideal, the glamour of an ancient hope;-- and something of that hope
has found fulfillment in many hearts ,-- in the simple beauty of
unselfish lives,-- in the sweetness of Woman...
-- Evil
winds from the West are blowing over Horai; and the magical atmosphere,
alas! is shrinking away before them. It lingers now in patches only, and
bands,-- like those long bright bands of cloud that train across the
landscapes of Japanese painters. Under these shreds of the elfish vapor
you still can find Horai -- but not everywhere... Remember that Horai is
also called Shinkiro, which signifies Mirage,-- the Vision of the
Intangible. And the Vision is fading,-- never again to appear save in
pictures and poems and dreams...
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