The
men at luncheon in Rennie’s Surrey cottage that September day were
discussing, of course, the heat. All agreed it had been exceptional. But
nothing unusual was said until O’Hara spoke of the heath fires. They
had been rather terrific, several in a single day, devouring trees and
bushes, endangering human life, and spreading with remarkable rapidity.
The flames, too, had been extraordinarily high and vehement for heath
fires. And O’Hara’s tone had introduced into the commonplace talk
something new—the element of mystery; it was nothing definite he said,
but manner, eyes, hushed voice and the rest conveyed it. And it was
genuine. What he felt reached
the others rather than what he said. The atmosphere in the little room,
with the honeysuckle trailing sweetly across the open windows, changed;
the talk became of a sudden less casual, frank, familiar; and the men
glanced at one another across the table, laughing still, yet with an odd
touch of constraint marking little awkward, unfilled pauses. Being a
group of normal Englishmen, they disliked mystery; it made them feel
uncomfortable; for the things O’Hara hinted at had touched that kind
of elemental terror that lurks secretly in all human beings. Guarded by
‘culture’, but never wholly concealed, the unwelcome thing made its
presence known—the hint of primitive dread that, for instance, great
thunder-storms, tidal waves, or violent conflagrations rouse.
And instinctively they fell at once to discussing the obvious
causes of the fires. The stockbroker, scenting imagination, edged
mentally away, sniffing. But the journalist was full of brisk
information, ‘simply given’.
‘The sun starts them in Canada, using a dewdrop as a lens,’
he said, ‘and an engine’s spark, remember, carries an immense
distance without losing its heat.’
‘But hardly miles,’ said another, who had not been really
listening.
‘It’s my belief,’ put in the critic keenly, ‘that a lot
were done on purpose. Bits of live coal wrapped in cloth were found, you
know.’ He was a little, weasel-faced iconoclast, dropping the acid of
doubt and disbelief wherever he went, but offering nothing in the place
of what he destroyed. His head was turret-shaped, lips tight and thin,
nose and chin running to points like gimlets, with which he bored into
the unremunerative days of life.
‘The general unrest, yes,’ the journalist supported him, and
tried to draw the conversation on to labour questions. But their host
preferred the fire talk. ‘I must say,’ he put in gravely, ‘that
some of the blazes hereabouts were uncommonly—er——queer. They
started, I mean, so oddly. You remember, O’Hara, only last week that
suspicious one over Kettlebury way—?’
It seemed he wished to draw the artist out, and that the artist,
feeling the general opposition, declined.
‘Why seek an unusual explanation at all?’ the critic said at
length, impatiently. ‘It’s all natural enough, if you ask me.’
‘Natural! Oh yes!’ broke in O’Hara, with a sudden vehemence
that betrayed feeling none had as yet suspected; ‘provided you don’t
limit the word to mean only what we understand. There’s nothing
anywhere—unnatural.’
A laugh cut short the threatened tirade, and the journalist
expressed the general feeling with ‘Oh you, Jim! You’d see a devil in a dust-storm, or a fairy in the
tea-leaves of your cup!’
‘And why not, pray? Devils and fairies are every bit as true as
formulae.’
Some one tactfully guided them away from a profitless discussion,
and they talked glibly of the damage done, the hideousness of the
destroyed moors, the gaunt, black, ugly slopes, fifty-foot flames,
roaring noises, and the splendour of the enormous smoke-clouds that had
filled the skies. And Rennie, still hoping to coax O’Hara, repeated
tales the beaters had brought in that crying, as though living things
were caught, had been heard in places, and that some had seen tall
shapes of fire passing headlong through the choking smoke. For the note
O’Hara had struck refused to be ignored. It went on sounding
underneath the commonest remark; and the atmosphere to the end retained
that curious tinge that he had given to it—of the strange, the
ominous, the mysterious and unexplained. Until, at last, the artist,
having added nothing further to the talk, got up with some abruptness
and left the room. He complained briefly that the fever he had suffered
from still bothered him and he would go and lie down a bit. The heat, he
said, oppressed him.
A silence followed his departure. The broker drew a sigh as
though the market had gone up. But Rennie, old, comprehending friend,
looked anxious. ‘Excitement,’ he said, ‘not oppression, is the
word he meant. He’s always a bit strung up when that Black Sea fever
gets him. He brought it with him from Batoum.’ And another brief
silence followed.
‘Been with you most of the summer, hasn’t he?’ enquired the
journalist, on the trail of a ‘par’, ‘painting those wild things
of his that no one understands.’ And their host, weighing a moment how
much he might in fairness tell, replied—among friends it was—‘Yes;
and this summer they have been more—er—wild and wonderful than
usual—an extraordinary rush of colour splendid schemes,
“conceptions”, I believe you critics call ’em, of fire, as though,
in a way, the unusual heat had possessed him for interpretation.’
The group expressed its desultory interest by uninspired
interjections.
‘That was what he meant just now when he said the fires had
been mysterious, required explanation, or something—the way they
started, rather,’ concluded Rennie.
Then he hesitated. He laughed a moment, and it was an uneasy,
apologetic little laugh. How to continue he hardly knew. Also, he wished
to protect his friend from the cheap jeering of miscomprehension. ‘He
is very imaginative, you know,’ he went on, quietly, as no one spoke.
‘You remember that glorious mad thing he did of the Fallen
Lucifer—driving a star across the heavens till the heat of the descent
set a light to half the planets, scorched the old moon to the white
cinder that she now is, and passed close enough to earth to send our
oceans up in a single jet of steam? Well, this time—he’s been at
something every bit as wild, only truer—finer. And what is it?
Briefly, then, he’s got the idea, it seems, that the unusual heat from
the sun this year has penetrated deep enough— in places-especially on
these unprotected heaths that retain their heat so cleverly—to reach
another kindred expression— to waken a response—in sympathy, you
see—from the central fires of the earth.’
He paused again a moment awkwardly, conscious how clumsily he
expressed it. ‘The parent getting into touch again with its lost
child, eh? See the idea? Return of the Fire Prodigal, as it were?’
His listeners stared in silence, the broker looking his obvious
relief that O’Hara was not on ‘Change, the critic’s eyes glancing
sharply down that pointed, boring nose of his.
‘And the central fires have felt it and risen in response,’
continued Rennie in a lower voice. ‘You see the idea? It’s big, to
say the least. The volcanoes have answered too— there’s old Etna,
the giant of ’em all, breaking out in fifty new mouths of flame. Heat
is latent in everything, only waiting to be called out. That match
you’re striking, this coffee-pot, the warmth in our bodies, and so
on—their heat comes first from the sun, and is therefore an actual
part of the sun, the origin of all heat and life. And so O’Hara, you
know, who sees the universe as a single homogeneous One
and—and— well, I give it up. Can’t explain it, you see. You
must get him to do that. But somehow this year—cloudless—the
protecting armour of water all gone too—the sun’s rays managed to
sink in and reach their kind buried deep below. Perhaps, later, we may
get him to show us the studies that he’s made—whew!—the most—er—amazing
things you ever saw!’
The ‘superiority’ of unimaginative minds was inevitable,
making Rennie regret that he had told so much. It was almost as if he
had been untrue to his friend. But at length the group broke up for the
afternoon. They left messages for O’Hara. Two motored, and the
journalist took the train. The critic followed his sharp nose to London,
where he might ferret out the failures that his mind delighted in. And
when they were gone the host slipped quickly upstairs to find his
friend. The heat was unbearable to suffocation, the little bedroom like
an oven. But Jim O’Hara was not in it.
For, instead of lying down as he had said, a fierce revolt,
stirred by the talk of those unvisioned minds below, had wakened, and
the deep, sensitive, poet’s soul in him had leaped suddenly to the
acceptance of an impossible thing. He had escaped, driven forth by the
secret call of wonder. He made full speed for the destroyed moors. Fever
or no fever, he must see for himself. Did no one understand? Was he the
only one?... Walking quickly, he passed the Frensham Ponds, came through
that spot of loneliness and beauty, the Lion’s Mouth, noting that even
there the pool of water had dried up and the rushes waved in the hot air
over a bed of hard, caked mud, and so reached within the hour the wide
expanse of Thursley Common. On every side the world stretched dark and
burnt, a cemetery of cinders. Great thrills rushed through his heart;
and with the power of a tide that yet came at flashing speed the truth
rose up in him... Half running now, he plunged forward another mile or
two, and found himself, the only living thing, amid the great waste of
heather-land. The blazing sunlight drenched it. It lay, a sheet of weird
dark beauty, spreading like a black, enormous garden as far as the eye
could reach.
Then, breathless, he paused and looked about him. Within his
heart something, long smouldering, ran into sudden flame. Light blazed
upon his inner world. For as the scorch of vehement passion may
quicken tracts of human consciousness that lie ordinarily inert and
unproductive, so here the surface of the earth had turned alive. He
knew; he saw; he understood.
Here, in these open sun-traps that gathered and retained the
heat, the fire of the Universe had dropped and lain, increasing week by
week. These parched, dry months, the soil, free from rejecting and
protective moisture, had let it all accumulate till at length it had
sunk downwards, inwards, and the sister fires below, responding to the
touch of their ancient parent source, too long unfelt, had answered with
a swift uprising roar. They had come up with answering joy, and here and
there had actually reached the surface, and had leaped out with dancing
cry, wild to escape from an age-long prison back to their huge, eternal
origin.
This sunshine, ah! what was it? These farthing dips of heat men
complained about in their tiny, cage-like houses! It scorched the
grass and fields, yes; but the surface never held it long enough to let
it sink to union with its kindred of the darker fires beneath! These
cried for it, but union was ever denied and stifled by the weight of
cooled and cooling rock. And the ages of separation had almost cooled
remembrance too—fire—the kiss and strength of fire—the flaming
embrace and burning lips of the father sun himself.... He could have
cried with the fierce delight of it all, and the picture he would paint
rose there before him, burnt gloriously into the canvas of the entire
heavens. Was not his own heat and life also from the sun?...
He stared about him in the deep silence of the afternoon. The
world was still. It basked in the windless heat. No living thing
stirred, for the common forms of life had fled away. Earth waited. He,
too, waited. And then some touch of intuition, blown to white heat,
supplied the link the pedestrian intellect missed, and he knew that what
he waited for was on the way. For he would see.
The message he should paint would come before his outer eye as well,
though not, as he had first stupidly expected, on some grand, enormous
scale. Rather would it be the equivalent of that still, small voice that
once had inspired an entire nation....
The wind passed very softly across the unburnt patch of heather
where he lay; he heard it rustling in the skeletons of scorched birch
trees, and in the gorse and furze bushes that the flame had left so
ghostly pale. Farther off it sang in the isolated pines, dying away like
surf upon some far-off reef. He smelt the bitter perfume of burnt soil,
the pungent, acrid odour of beaten ashes. The purple-black of the moors
yawned like openings in the side of the earth. In all directions for
miles stretched the deep emptiness of the heather-lands, an immense,
dark, magic garden, still black with the feet of wonder that had flown
across it and left it so beautifuily scarred. The shadow of the terrible
embrace still trailed and lingered as through Midnight had screened a
time of passion with this curtain of her softest plumes.
And they had called it
ugly, had spoken of its marred beauty, its hideousness! He laughed
exultantly as he drank it in, for the weird and savage splendour
everywhere broke loose and spread, passing from the earth into the
receptive substance of his own mind. Even the roots of gorse and
heather, like petrified, shadow-eating snakes, charged with the mystery
of that eternal underworld whence they had risen, lay waiting for the
return of the night of sleep whence Fire had wakened them. Lost ghosts
of a salamander army that the flame had swept above the ground, they lay
anguished and frightened in the glare of the unaccustomed sun....
And waiting, he stared about him in the deep silence of the
afternoon. Hazy with distance he saw the peak of Crooksbury, dim in its
sheet of pines, waving a blue-plumed crest into the sky for signal; and
close about him rose the more sombre glory of the lesser knolls and
boulders, still cloaked in the swarthy magic of the smoke. Amid pools of
ashes in the nearer hollows he saw the blue beauty of the fire-weed that
rushes instantly into life behind all conflagrations. It was blowing
softly in the wind. And here and there, set like emeralds bpon some
dusky bosom, lay the brilliant spires of young bracken that rose to clap
a thousand tiny hands in the heart of exquisite desolation. In a cloud
of green they rustled in the wind above the sea of black.... And so
within himself O’Hara realised the huge excitement of the flame this
fragment of the earth had felt. For Fire, mysterious symbol of universal
life, spirit that prodigally gives itself without itself diminishing,
had passed in power across this ancient heather-land, leaving the soul
of it all naked and unashamed. The sun had loved it. The fires below had
risen up and answered. They had known that union with their source which
some call death....
And the fires were rising still. The poet’s heart in him became
suddenly and awfully aware. Ye stars of fire! This patch of unburnt
heather where he lay had been untouched as yet, but now the flame in his
soul had brought the little needed link and he would see. The thing of wonder that the Universe should teach him how to
paint was already on the way. Called by the sun, tremendous, splendid
parent, the central fires were still rising.
And he turned, weakness and exultation racing for possession of
him. The wind passed softly over his face, and with it came a faint, dry
sound. It was distant and yet dose beside him. At the stir of it there
rose also in himself a strange vast thing that was bigger than the bulk
of the moon and wide as the extension of swept forests, yet small and
gentle as a blade of grass that pricks the lawn in spring. And he
realised then that ‘within’ and ‘without’ had turned one, and
that over the entire moorland arrived this thing that was happening too
in a whitehot point of his own heart. He was linked with the sun and the
farthest star, and in his little finger glowed the heat and fire of the
universe itself. In sympathy his
own fires were rising too.
The sound was born—a faint, light noise of crackling in the
heather at his feet. He bent his head and searched, and among the
obscure and tiny underways of the roots he saw a tip of curling smoke
rise slowly upwards. It moved in a thin, blue spiral past his face. Then
terror took him that was like a terror of the mountains, yet with it at
the same time a realisation of beauty that made the heart leap within
him into dazzling radiance. For the incense of this fairy column of thin
smoke drew his soul with it—upwards towards its source. He rose to his
feet, trembling....
He watched the line rise slowly to the sky and vanish into blue.
The whole expanse of blackened heather-land watched too. Wind sank away;
the sunshine dropped to meet it. A sense of deep expectancy, profound
and reverent, lay over all that sun-baked moor; and the entire sweep of
burnt world about him knew with joy that what was taking place in that
wee, isolated patch of Surrey heather was the thing the Hebrew mystic
knew when the Soul of the Universe became manifest in the bush that
burned, yet never was consumed. In that faint sound of crackling, as he
stood aside to listen and to watch, O’Hara knew a form of the eternal
Voice of Ages. There was no flame, but it seemed to him that all his
inner being passed in fiery heat outwards towards its source.... He saw
the little patch of dried-up heather sink to the level of the black
surface all about it—a sifted pile of delicate, pale-blue ashes. The
tiny spiral vanished; he watched it disappear, winding upwards out of
sight in a little ghostly trail of beauty. So small and soft and simple
was this wonder of the world. It was gone. And something in himself had
broken, dropped in ashes, and passed also outwards like a tiny mounting
flame.
But the picture O’Hara had thought himself designed to paint
was never done. It was not even begun. The great canvas of ‘The Fire
Worshipper’ stood empty on the easel, for the artist had not strength
to lift a brush. Within two days the final breath passed slowly from his
lips. The strange fever that so perplexed the doctor by its rapid
development and its fury took him so easily. His temperature was extraordinary.
The heat, as of an internal fire, fairly devoured him, and the smile
upon his face at the last—so Rennie declared— was the most
perplexingly wonderful thing he had ever seen. ‘It was like a great,
white flame,’ he said.